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Dance troupe

Minority activists defend black-faced dance troupe inspired by England’s coal mines

A The minority activism network doesn’t believe an all-male dance troupe should be raked in the coals for its divisional costume, saying the context doesn’t make blackface attire “a racial thing.”

The Britannia Coconut Dancers received support from the Lancashire minority advocacy group BME Network after the John Morris Organization, the dancers’ parent company, decided the troupe could not continue to wear the costumes, part of which required the dancers to wear black face paint. LBN said the historical background shows the dancers’ blackened faces are not intended to be offensive, saying face painting is part of “a rich cultural tradition linked to Lancashire”.

“In the past, when I worked on similar topics, I never saw them as a racial thing at all,” said Jonathon Prasad, project manager for the network. Daily mail. “We think communities should come out and really ask questions about why people blackface.”

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The JMO decided last year that its dance members would be required to stop darkening their faces because the paint “has the potential to cause deep injury.” The Britannia Coconut Dancers refused the JMO requirement and parted ways with the organization soon after.

While the exact origins of the troop’s costume are unclear, one theory Explain by Prasad argues that “the factory workers who were quite poor had to earn extra income, so one of the things they did was paint their faces black so their employers wouldn’t know that they dance for extra money, “adding that it is” also related to a whole pagan ritual also about not wanting to be attached to evil spirits. “

Other incidents around the world in which people have appeared publicly in blackface have drawn criticism. A staff member from an elementary school in the United States was put on leave last month after wearing blackface to work, and politicians such as Canadian Prime Minister Justin Trudeau and Virginia Governor Ralph Northam is facing calls to quit after photos were posted allegedly showing them in blackface years earlier.

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Britannia coconut Dancers held her first performance since her split from JMO on Sunday, dancing in Lancashire for around five hours. Gavin McNulty, the troupe’s secretary, called the performance and audience participation “a big success.”

The Washington Examiner has contacted LBN, JMO and the dance group for comment.

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Key words: New, Dancing, Activism, the diversity, Race and diversity

Original author: Asher notheis

Original location: Raked on the coals: Minority activists defend a black-faced dance troupe inspired by British coal mining


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Dance troupe

All Abilities Dance Troupe brings the community together again

For people with disabilities, the restrictions imposed by the pandemic may have been doubly difficult.

“The pandemic has isolated us all – once we get through that, a lot of us will come back to sort of normal,” said Andrea Johnston, who leads the All Abilities Dance Troupe with local dance teacher Tasha Bryant. “For people with disabilities, isolation can be a constant reality. Community bonds are vitally important to our health and well-being – to all of us. “

That’s why the All Abilities dance troupe is excited to host their first in-person class in October, after a year spent meeting only through Zoom.

Before COVID, the group ran classes every month at All Saints Anglican Church. When they had to switch to online classes, it was more difficult for leaders and dancers to engage.

“We’ve pivoted both literally and figuratively by running courses on Zoom,” Johnston said. “Then last fall there was a reprieve in the restrictions and we got together for an outdoor class. We were so happy to reconnect and dance. Then we were closed again.

As always, classes are free and welcome to anyone wishing to dance together, regardless of their level of dance skill.

“It’s for anyone who wants to get up and move their body together. We all have so much fun and spend half the time laughing, ”said Bryant. “It has been such a pleasant and enriching experience. I have made so many amazing relationships with people who come from different walks of life.

The next class will be on Friday, October 15 at 4 p.m., masked and physically distanced, in the courtyard of the Huntsville Festival of the Arts Studio across from River Mill Park.

The troop has been together, with members coming and going every year, for almost seven years. The group is made up of over 30 people of all skill levels who come together for the love of dancing and over the years have participated in many events in Huntsville.

Although they partner with Community Living Huntsville to bring their clients into the troop, the group has many non-disabled people including business owners, board members, teens and seniors.

The troupe is grateful for the support of the Huntsville Festival of the Arts, Community Living Huntsville and the Muskoka Dance Academy.

Follow the All Abilities dance troupe Facebook page for updates on this event and future performance.

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Dance ensemble

State Dance Ensemble dazzles at festival in Jordan

(MENAFN- AzerNews) By Laman Ismayilova

The State Dance Ensemble performed successfully at the 35th Jerash Festival for Culture and the Arts in Jordan.

The Jerash Festival for Culture and the Arts is an annual event held in Jerash, Jordan. It is part of the Jordan Festival, which aims to enrich cultural activities in Jordan.

Founded in 1981 by Queen Noor, it presents several shows performed by Jordanian, Arab and foreign artists.

The ensemble performed a suite “My Azerbaijan”, dance compositions “Naz Elama”, “Ag Chichak”, “Qaytagi”, “Sari Galin” and “Karabakh Yalli”.

Jordanian media described the ensemble’s performance as one of the festival’s finest.

Since 1970 the Azerbaijan Dance Ensemble has been promoting the art of Azerbaijani dance, the beauty and elegance of national dances.

The ensemble constantly participates in Azerbaijani state events, successfully tours Russia, CIS countries, USA, Italy, France, Portugal, Spain, Norway, in Switzerland, Belgium, Israel, India, Nepal, South Korea, China, Vietnam, Iraq, Tunisia, Algeria, Morocco, Saudi Arabia, Mexico, Brazil, Cuba and many more countries .

The team traditionally represents their country’s culture at international festivals in Russia, Ukraine, Georgia, Turkey, Austria, Germany, Egypt, Qatar, China, Japan, Tunisia and other countries. other countries.

In 1991, the State Dance Ensemble was awarded the title of Honored Azerbaijani Collective for its outstanding contribution to the development of national culture. The artistic director of the ensble is the people’s artist Rufat Khalilzadeh.

Follow us on Twitter @AzerNewsAz

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  • #JORDAN
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Dance ensemble

State Dance Ensemble dazzles at festival in Jordan [PHOTO]

October 1, 2021 3:17 p.m. (UTC + 04:00)

327

By Laman Ismayilova

The State Dance Ensemble performed successfully at the 35th Jerash Festival for Culture and the Arts in Jordan.

The Jerash Festival for Culture and the Arts is an annual event held in Jerash, Jordan. It is part of the Jordan Festival, which aims to enrich cultural activities in Jordan.

Founded in 1981 by Queen Noor, it presents several shows performed by Jordanian, Arab and foreign artists.

The ensemble performed a suite “My Azerbaijan”, dance compositions “Naz Elama”, “Ag Chichak”, “Qaytagi”, “Sari Galin” and “Karabakh Yalli”.

Jordanian media described the ensemble’s performance as one of the festival’s finest.

Since 1970 the Azerbaijan Dance Ensemble has been promoting the art of Azerbaijani dance, the beauty and elegance of national dances.

The ensemble constantly participates in Azerbaijani state events, successfully tours Russia, CIS countries, USA, Italy, France, Portugal, Spain, Norway, in Switzerland, Belgium, Israel, India, Nepal, South Korea, China, Vietnam, Iraq, Tunisia, Algeria, Morocco, Saudi Arabia, Mexico, Brazil, Cuba and many more countries .

The team traditionally represents their country’s culture at international festivals in Russia, Ukraine, Georgia, Turkey, Austria, Germany, Egypt, Qatar, China, Japan, Tunisia and other countries. other countries.

In 1991, the State Dance Ensemble was awarded the title of Honored Azerbaijani Collective for its outstanding contribution to the development of national culture. The artistic director of the ensble is the people’s artist Rufat Khalilzadeh.

Follow us on twitter @AzerNewsAz



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Dance troupe

Vertical dance troupe to explode in Old Fourth Ward this weekend

Nigerian fashion and textile designer IB Bayo has designed fabric stories, costumes and sets.

Photograph courtesy of Bandaloop

In 2019, New City’s Jim Irwin asked Anne Archer Dennington, executive director of Flow projects, who coordinates temporary public art projects throughout the city – if she had any ideas to animate the then unfinished development of her business at 725 Ponce in Old Fourth Ward. Dennington had just the artistic treatment in mind: dancers suspended in mid-air, performing vertically on the building’s edge facing the Eastside BeltLine trail. she had just met Bandaloop, a California dance troupe that combines choreography and climbing technology to reinvent dance in the public realm, and Dennington figured the facade of 725 Ponce would serve as the perfect stage — turned sideways.

His vision is finally coming to fruition. From October 1 to 3, Flux Projects will be presented in preview FIELD, the second installment of LOOM, a national four-part series from Bandaloop. The series juxtaposes traditional fabric creation techniques with the socio-ecological impacts of the global fashion industry, which alone accounts for 20% of industrial water pollution.

“The textile industry is the second polluting industry in the world. With Atlanta, but more specifically the Old Fourth Ward, playing a role in the cotton trade, this event is site specific, ”says Dennington. It refers to O4W’s Fulton Bag and Cotton Mills, now the Fulton Cotton Mill Lofts, which made bags out of fabric and paper. What is now Studioplex was once a cotton warehouse, and the local railroad carried related products.

Transforming the building adjacent to BeltLine into a giant loom, FIELD’s stories – led by Bandaloop’s artistic director, Melecio Estrella, and told by a collective of dancers, textile artists and sustainability strategists – will pit the ecological challenges to the power of the fabric to hold, comforts and adorns the human experience.

“You are drawn to artists because there is an undercurrent. As you work together, weaving what is prevalent in their work with what is specific to the Atlanta site, you start to find those commonalities, and the piece kind of reveals itself, ”Dennington explains to About how the partnership with Bandaloop came together, then deepened and regenerated with the pause imposed by the pandemic. The installation was initially scheduled for 2020, to commemorate the 10th anniversary of Flux Projects.

“I firmly believe that artists are connected to the messages and lessons that humanity needs to learn, and they are able to make them visible and communicate them in a way that a much larger audience can start to. to hear and understand at the right time. ,” she says.

“The thing with Bandaloop is that they do it in a way that is just spectacularly beautiful.”

This article appeared in our October 2021 issue.


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Dance crew

Set of dance team for performance

The South Side Dance Crew is made up of young dancers aged 16-19 who have performed in various dance competitions and events in Port Moresby. Now they have an event that they think is important in promoting the group.

The oldest member is Nelson David, 19, who leads the group. After knowing that they will face some of the best dance groups in town, Nelson and his team will need to get it right with their dance moves.

“Every day is different for us, sometimes we realize that the choreography is very similar to other dance groups and has changed everything. We make sure we’re all in sync when we’re on stage, ”he said.

The dance competition is an event sponsored by Mountain Dew and will be hosted by the Wan Squad Dance group, which has represented PNG on the international stage.

The dance competition will be judged in various categories, with each category receiving cash prizes. Cash prizes range from K1000 to K5000

The dance competition will take place on the 20the November and is open to solo fights, BBoy and freestyle acts, and dance teams of three to 12 dancers.

Interested dance groups who wish to register and participate in the event can email Wan Squad at [email protected]


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Dance troupe

Becca’s London Marathon Challenge Benefiting Chester Charity Dance Troupe

A psychology graduate does her best to raise money for a Chester charity that works with people recovering from addiction.

Becca Lennard, a recent University of East Anglia graduate, will compete in the Virgin London Marathon on Sunday October 3 for the Fallen Angels Dance Theater.

The company in residence at Storyhouse is unique in the use of dance in the recovery process.

This is not Becca’s first marathon. Earlier this year, on lockdown, the 22-year-old ran a ‘virtual’ 26.2 mile challenge in Norwich on behalf of her varsity netball team to raise money for charity.

Becca’s Golden Bond spot at the Virgin London Marathon was made possible by the Chester Lions Club. She applied to run for Fallen Angels after studying the biological psychology behind drugs and the effective rehabilitation of offenders.

She said: “I can’t wait to put on my running shoes and take on this challenge. The Fallen Angels Dance Theater makes such a big difference in people’s lives in such a positive and expressive way, which in my opinion is truly inspiring.



Psychology graduate Becca Lennard will compete in the Virgin London Marathon for the Chester-based Fallen Angels Dance Theater.

Claire Morris, Executive Director of the Fallen Angels Dance Theater, said, “We are very grateful to Becca for taking on this huge challenge on behalf of Fallen Angels. She has already put so much effort into fundraising and the more she raises, the more people we can welcome into our recovery groups.

“Becca’s marathon challenge will make a real difference in people’s lives.”

The London Marathon usually takes place in April but has been canceled in 2020 due to the coronavirus pandemic. The 2021 event has been postponed from April to October 3 due to continued containment.

To sponsor Becca and support the Fallen Angels Dance Theater, visit https://uk.virginmoneygiving.com/BeccaLennard.

The Fallen Angels Dance Theater (FADT) helps people recovering from addiction transform their lives and share the journey of recovery with the general public, through dance, performance and creativity.



Members of the Fallen Angels Dance Theater performing at the Garret Theater at Storyhouse in Chester
Members of the Fallen Angels Dance Theater performing at the Garret Theater at Storyhouse in Chester

The company supports a structured journey to enhance recovery through creative activities that promote wellness and inclusion in the recovery process.

Led by artistic director Paul Bayes Kitcher, the professional dance company offers a unique experience for dance audiences to meet works developed by artists in recovery.

Participants are at the heart of the work, sharing their stories in the R&D process and developing their dance skills in the workshop program. Auditions and professional company performances show how a creative intervention can bring about positive and lasting change in addiction recovery.

Since 2015, FADTs have performed at UK Recovery Walks every year. In 2018, they were finalists for the Working Partnership of the Association for Public Service Excellence Awards.

In 2018, they met and performed for the Queen and Duchess of Sussex. FADT also worked in residence at Tate Liverpool in response to the opening of the Keith Haring exhibition.


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Dance ensemble

Michele Brangwen Dance Ensemble’s “Asa Nisi Masa” Preview Tonight

“Asa Nisi Masa” is a new dance and music film from the Michele Brangwen Dance Ensemble which takes its title from the childhood incantation spoken in Federico Fellini’s film “8 1/2”. The phrase Asa Nisi Masa evokes a beautiful memory for the main character of the film of an era filled with compassion and love.

“Asa Nisi Masa”, with choreography, montage and costumes by Michele Brangwen and music composed by Danielle Reich, Thomas Helton and Tim Hagans, also features movement and music spontaneously created in the moment by all performers. dancers Robin Gilbert, Cristian Laverde König and Michele Brangwen; saxophonists Robin Verheyen and Jon Irabagon; trumpeter Tim Hagans; bassist Thomas Helton and singer Danielle Reich interact live on a rooftop in New York City.

The idea behind the film was to create a sort of dance and music mantra and send it out into the world. “Asa Nisi Masa” is the first time that Michele Brangwen Dance Ensemble has worked in person as a fully vaccinated ensemble. For previous projects during the pandemic, they had rehearsed only through Zoom and filmed each artist separately for safety reasons.

The final section of the film is Brangwen’s secular take on the idea of ​​the Tibetan prayer flag. Brangwen writes: “The idea behind the prayer flag is not that the person hanging it asks the wind to carry a request for something, but rather seeks to send kindness into all spaces. I think we are now in a time where we need to send as much kindness and healing energy as possible into our fractured world. Part of the costume that each performer wears becomes a flag at the end. I wanted to try to make the flag very personal. “

Brangwen explains, “Nothing in the middle section of the improvisations in the film was planned or traced, and we only did one take, so gusts of wind sometimes hit the mics, the helicopters buzz and the performers come out. sometimes out of the setting, but for me It only added to the immediacy and honesty of the moment. What emerged were those incredible moments like dancer Cristian Laverde König, with trumpeter Tim Hagans and saxophonist Robin Verheyen, seeming to take every note of the effusive call of the musicians in his body and in the end, exchanging riffs with them as if his body were a third horn. Dancer Robin Gilbert and the same two musicians tell a mysterious story that seems full of pathos and nostalgia, culminating when Ms. Gilbert pulls the two musicians into her in an enveloping embrace. For me, it’s magic. “

Some people believe that Fellini was sending a hidden message in the phrase Asa Nisi Masa, using an Italian form of porcine Latin that adds an “sa” and an “if” to words in order to disguise them. If you take the roots of each word in the expression Asa Nisi Masa, the letters form the word Anima, which is the Italian word for soul. Brangwen writes: “This act of creating dance and music together is part of our soul, so what better thing could we send in the world. This is what we have to offer and we send it with love. . “

Live broadcasts of “Asa Nisi Masa” will include a real-time introduction by choreographer and filmmaker Michele Brangwen and composer and trumpeter Tim Hagans, and a post-premiere section where performers respond in front of the camera to comments and questions from the audience. tonight September 19 via Facebook. The film will be shown again, followed by a question-and-answer session on YouTube on September 26. The events are free.

The Michele Brangwen Dance Ensemble is a contemporary dance company featuring all new choreography, original live music and the integration of all of our musicians into visual imagery, so dancers and musicians break the boundaries of the traditional interaction of sets. In 20 years, each performance has included live music and musicians as an integral part of the visual imagery of the stage. We believe that the role of the artist in society is to communicate, to challenge, to open a dialogue that can both unite us and inspire significant change. We operate as a jazz band and, with sections of choreographed movements and written music, we use the improvisation that flows from the form, concept and emotional life of the work. The Michele Brangwen Dance Ensemble is based in New York and Houston. www.brangwendance.org


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Dance troupe

A dance troupe to meander “in the woods”

A contemporary dance company that took off during the pandemic is planning its first show in an unusual place.

The six members of the Meander Dance Company will take the stage at the South Whidbey State Park Amphitheater from 6 p.m. to 7 p.m. Sept. 3-5.

The new company started as a pilot project last spring when South End dancer and choreographer Beck Diamond posted a social media message asking if anyone would be interested in joining the creative project.

“I’ve always wanted to start a dance company and COVID has taken all of my work from me,” Diamond said.

To meander is to wander aimlessly. It’s a name that’s been chosen in part as a societal critic, as Diamond explained when people expect artists to do something for “the greater good.”

“For me, Meander is all about finding contentment and just enjoying and being where you are at and it doesn’t matter if you get better or more skilled at an activity, but that’s not necessarily the only reason. why we are doing it, ”the company founder said, adding that they saw the company as an“ anti-capitalist practice ”.

“I think in particular that people take dance for granted and don’t look at it the same way they look at, say, musicians and other artists, painters,” Diamond said. “I want people to understand that we are a professional company that is continually working on our craft.”

The company aims to offer dance performances in an accessible way. Meander’s first show in the woods will have a “pay what you can” model. If anyone has any accessibility issues about the show, Diamond said he’d like people to email [email protected].

“I don’t just want to be an elite company that you can only go to if you have $ 50 to pay to get in,” they said.

The dancers in the company come from all walks of life and skill levels, from classical trained at the Whidbey Island Dance Theater to beginner enthusiasts. Hunter Fox, one of Meander’s youngest members, was never technically trained but has been described as “a natural driver”.

“I was that person when I was younger and someone took a chance and let me be on a show. And that was it, then the next year I was choreographing, ”said Diamond. “When I see Hunter, I remember this youngster. He just brings a lot of positive energy to our rehearsals and I think he really adds to the dynamics of the group.

Diamond added that it is important for the entire community to have the opportunity to dance and perform if that is what is desired. Another goal of Meander is to eventually become a youth company, which would complement what already exists on the island for young dancers. Three children will perform as part of the dance company’s first show.

Juliana Brielle, another Meander member, said the new venture is inclusive for older generations who grew up dancing on Whidbey but now have children who might want to participate in the activity as well.

“It’s a total filling in the gap of something that was missing to be an adult and want to perform professionally,” she said.

Brielle starred as Clara in the Whidbey Island Dance Theater production “The Nutcracker” in 2009. She now has a daughter of her own who may one day also want to dance.

“It’s really exciting to be able to pull out of all the different aspects of dancing that Whidbey already has, such as with codified movement and free movement and improv contact, even part of the acro world,” Brielle said. .

The group has a GoFundMe fundraiser which can be found by searching for “Meander Dance Company”. Donations will help cover the costs of spaces the company plans to rent for future shows, such as the stage at the Whidbey Island Center for the Arts.

But the beauty of the group is also its versatility.

“I can totally see us at the amphitheater in the woods, at WICA, on the beach, in an open field, on a basketball court,” Brielle said.

“We’re ready to meander anywhere,” Diamond joked.



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Dance troupe

A dance troupe to meander “in the woods”

A contemporary dance company that took off during the pandemic is planning its first show in an unusual place.

The six members of the Meander Dance Company will take the stage at the South Whidbey State Park Amphitheater from 6 p.m. to 7 p.m. Sept. 3-5.

The new company started as a pilot project last spring when South End dancer and choreographer Beck Diamond posted a social media message asking if anyone would be interested in joining the creative project.

“I’ve always wanted to start a dance company and COVID has taken all of my work from me,” Diamond said.

To meander is to wander aimlessly. It’s a name that’s been chosen in part as a societal critic, as Diamond explained when people expect artists to do something for “the greater good.”

“For me, Meander is all about finding contentment and just enjoying and being where you are at and it doesn’t matter if you get better or more skilled at an activity, but that’s not necessarily the only reason. why we are doing it, ”the company founder said, adding that they saw the company as an“ anti-capitalist practice ”.

“I think in particular that people take dance for granted and don’t look at it the same way they look at, say, musicians and other artists, painters,” Diamond said. “I want people to understand that we are a professional company that is continually working on our craft.”

The company aims to offer dance performances in an accessible way. Meander’s first show in the woods will have a “pay what you can” model. If anyone has accessibility issues about the show, Diamond has said they’d like people to email [email protected].

“I don’t just want to be an elite company that you can only go to if you have $ 50 to pay to get in,” they said.

The dancers in the company come from all walks of life and skill levels, from classical trained at the Whidbey Island Dance Theater to beginner enthusiasts. Hunter Fox, one of Meander’s younger members, was never technically trained but has been described as “a natural driver”.

“I was that person when I was younger and someone took a chance and let me be on a show. And that was it, then the next year I was choreographing, ”said Diamond. “When I see Hunter, I remember this youngster. He just brings a lot of positive energy to our rehearsals and I think he really adds to the dynamics of the group.

Diamond added that it is important for the entire community to have the opportunity to dance and perform if that is what is desired. Another goal of Meander is to eventually become a youth company, which would complement what already exists on the island for young dancers. Three children will perform as part of the dance company’s first show.

Juliana Brielle, another Meander member, said the new venture is inclusive for older generations who grew up dancing on Whidbey but now have children who might want to participate in the activity as well.

“It’s a total filling in the gap of something that was missing to be an adult and want to perform professionally,” she said.

Brielle starred as Clara in the Whidbey Island Dance Theater production “The Nutcracker” in 2009. She now has a daughter of her own who may one day also want to dance.

“It’s really exciting to be able to pull out of all the different aspects of dancing that Whidbey already has, such as with codified movement and free movement and improv contact, even part of the acro world,” Brielle said. .

The group has a GoFundMe fundraiser which can be found by searching for “Meander Dance Company”. Donations will help cover the costs of spaces the company plans to rent for future shows, such as the stage at the Whidbey Island Center for the Arts.

But the beauty of the group is also its versatility.

“I can totally see us at the amphitheater in the woods, at WICA, on the beach, in an open field, on a basketball court,” Brielle said.

“We’re ready to meander anywhere,” Diamond joked.



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